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Like I’ve stated before – during the main game development, we had never imagined “green” Frostpunk, but tweaking the palette was only a minor task. At least for some part of The Last Autumn story, since winter is a looming threat and delicate snowdrops are starting to hit at some point. Players see the game screenshots and immediately recognize them, and we were about to drop that ingredient. Being snowy is, right next to being steampunk-ish, Frostpunk’s core visual identity.
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That’s why the decision to make The Last Autumn a prequel story in which players oversee the construction of the Generator from the main game, was such a big leap into something different. And details like dirt on the buildings, frozen edges of the screen, sharp shards floating in the air proved to be very useful in maintaining the mood.Īll those aspects have to click together, and they did in Frostpunk. Meanwhile, dark UI splashes in the Book of Laws or at story events screens, which can resemble coal which is, after all, the main resource in the game, were stressing the gloomy tones. But then minus 60 degrees comes in and everything is back to being desperately normal. Royal and steel shades of blue dominate Frostpunk’s palette, and all colors are cold and bleached.Įvery morning in the game’s daily cycle serves as a ray of hope, so we made those a bit different and uplifting. Lighting and colors, stylized parts of UI, particles, or even architectural forms – all those served that purpose. In Frostpunk we used the art design to establish that grim, unforgiving, and palpable bleakness that echoes throughout the events we portray.
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If you are running a pre Windows 7 system, download the Windows legacy version here.At 11 bit studios, we are making games in which art amplifies the design message. For OS X 10.9 and older, you can download the legacy version here. On Mac Soundly requires OS X 10.10 Yosemite or later (including Catalina).
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All Soundly pro library files are at least 24bit 96khz!.Index local wav, aiff, mp3, m4a, ogg and flac files up to 384khz 32bit.Send files including handles to Pro Tools, Logic, Premiere, Nuendo, Cubase, Reaper, After Effects, Wwise, and much more.
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Soundly works great even without an internet connection, and Offline Cloud Bridge let's you send files from the Soundly Cloud to offline work stations.
Our cloud platform uses Google's infrastructure for unparalleled redundancy, safety, and speed. Soundly is natively coded for Mac and Windows, making it super snappy. The Soundly Monitor VST3, AAX and ReWire plugins optionally serve as audio outputs from the Soundly to DAWs. Preview in real-time, and have it instantly applied to the track when you drag it out. You can even write your own meta data to wav files.Īdd custom effects like pitch, speed and reverse. Soundly supports metadata in many different formats for local libraries. Free and premium libraries are instantly available from our built-in shop. Perfect for companies of all sizes.Įxpand the massive Soundly library directly from within the application. We give large discounts to multi-users, and the multi-user panel makes it easy to scale from a few to thousands of users.
It's easy to set up, and there is no need to run a separate server.
That means your entire sound library can live in the cloud, making sharing and collaborating a breeze!Ĭollaborate easily with your team using shared network databases. Use Soundly's proprietary cloud storage or connect to Dropbox, Google Drive, or Amazon S3.
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